Does the media report the news, or create it? What is the moral role of journalists in extreme situations? And what difference does the...

As my interest in and knowledge of film and architecture have grown, I’ve become more and more absorbed by how backlot sets and actual...

For many, Civil War will be defined by a single line delivered by a man wearing camouflage and carrying a rifle: “Okay. What kind of...

Cinema can provide an escape from reality and science fiction is supposed to foretell the future. You have to choose your film wisely,...

Ridley Scott had to recast Napoleon after the pandemic affected industry schedules worldwide; the same problem affected House of Gucci,...

To the BFI Southbank yesterday to hear Michael Mann discuss his career and introduce a preview screening of Ferrari, his long-gestated...

The BFI IMAX screen reopens to the public today following a few weeks of closure for re-equipping and refurbishment, this in turn coming...

Today is Global Bond Day, marking the release of Dr. No sixty years ago and the film series that went on to embed itself in the culture...

Today the British Film Institute regains control of the IMAX cinema it built at Waterloo twenty years ago, a decade after being forced by...

Ridley Scott’s Blade Runner, initially unsuccessful but now an accepted classic and hugely influential, was released four decades ago...

Part two of director Denis Villeneuve’s Dune has been given the go ahead. That’s good, as most of his first part was moving and majestic....

On the rare occasions, now, that I actually go into the office I walk past a WeWork in central London. I was vaguely aware of what it was...